“Have an idea for a huge space opera trilogy? You’re not ready to write that novel yet. Start with something small.”
This is one of the best pieces of advice about writing I received when I was first starting out. It came from my friend Lance Schaubert.
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You’ve finished your book. It’s edited and edited and edited. The cover looks amazing. Now it’s out in the world.
Congratulations!
Now, how do you let people know?
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When I started writing, all of my stories sounded like Ray Bradbury had written them. I’m not trying to say I was an amazing writer. The opposite is true.
I was copying Ray Bradbury.
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Writing the first draft is one of the best parts of the storytelling process (other than outlining, of course). It’s a time where anything can happen and spelling doesn’t matter. Your only job when sitting down to write a first draft is getting words on a page.
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Nothing will take you out of a story faster than bad dialogue. If someone is reading your dialogue and thinks, “I’m reading dialogue,” you’ve lost as an author.
Poorly written dialogue is like looking through the mouth hole at Disneyland and seeing the person inside of Mickey. The magic is gone when the mechanics are exposed.
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